Saturday, 30 November 2013

Horror Trailer Analysis One - Resident Evil: Retribution




This is the trailer for Resident Evil: Retribution. Written and directed by Paul W. S. Anderson, it is the fifth instalment in the Resident Evil film series, released in 2012. Anderson also wrote and directed the first film, and the fourth instalment of the series. The film stars Milla Jovovich, Sienna Guillory, Michelle Rodriguez, Shawn Roberts, Oded Fehr, Johann Urb and many others. The Resident Evil film series is based on the video game series, created and owned by Capcom. As a fan of both the video game series and the film series, it is interesting to see how this film, as well as the others, tie in with the video games’ storyline – although the tie is loose. For example, characters such as Ada and Leon feature in several of the video games, whereas Milla Jovovich’s character Alice does not appear in any of the video games. I believe that the concept of creating a series of films based on a series of video games is extremely effective: a big part of my seeing the films at all was due to growing up playing the video games – as I’m sure was the case for many others.

The film had a budget of $65 million, earning an impressive $240,159,255 at box office almost quadrupling its worth, and proving its success. The point of a film trailer is ultimately to convince people to watch the film being advertised by grabbing their attention and revealing small parts of the storyline. This trailer does exactly that – it reveals to the audience interesting and significant, yet small parts of the plot. In this case, one of these pieces of information is that Alice’s memories have been imprinted in her mind. This is an intriguing part of the plot to reveal, for a couple of reasons. One being that the trailer starts with an equilibrium – a typical, American suburb in which Alice lives with her husband [we know she is married from the extreme close-up in which we see her eyes and a ring as she has her hand placed close enough beside her head for the ring to be in the frame] and daughter, causing the audience to realise that this equilibrium was fake, as well as this being a realisation for Alice who has the fact revealed to her by Li Bingbing’s character, Ada. The second is that this is the fifth instalment to the Resident Evil film series, meaning that for anyone that has seen the previous four films, anything recalled from Alice’s memory in any of the previous instalment is immediately called into question as to whether or not it is true.

As the film switches from the disrupted equilibrium to show the audience what is really going on, there are a number of captions. At first, these are written in a simple, neat font in white placed on a plain black background. Then, the final caption at this stage which reads ‘NEVER EXISTED’, changes to a sharper, metallic font on a dark, fog-like background. This new font is silver in colour, typical of the Resident Evil film series, and may connote knives, or even part of the genre of the film – science-fiction. The new background for these captions also creates a sense of disorientation, which then leads to a further element of mystery. In addition to this, the voice over revealing that Alice’s memories are fake continues over a cut which shows one of these ‘memories’ in black and white – the transition being static like a camera that has stopped functioning properly. This further adds to the sense of mystery and disorientation.

I think that the extreme close-up of Alice’s eyes being one of the first things we see in the trailer is effective as it introduces the character to the audience almost immediately. At the same time, the background music which has been playing since the trailer began with two establishing shots becomes lower with the sound of an alarm clock interrupting it. At this point, the main sound in the trailer is dialogue, with the background music stopping eventually – possibly to show that the equilibrium is about to be destroyed. Sure enough, that is exactly what happens. After another few seconds of normality, a monster comes crashing in attacking Alice’s husband, signifying the typical disruption required in any horror film. From here there are a number of cuts showing the monsters, and Alice and Becky’s escape all mixed together.

At this point the audience is given more information as to what’s actually happening – that Alice is under control, as revealed by Wesker [Shawn Roberts. After this, we get another voice over, this time from Alice, informing us that she was used to perfect ‘the virus’, and now that everyone and everything she knows is being used against her, and that ‘now, they can manipulate the world’. All of this is a lot to take in, but there is one key piece of information – Alice is part of something much bigger than the audience had perhaps anticipated. We can gather this as we are told that ‘they can manipulate the world’, as well as being told that ‘this is humanity’s last stand’, as though the upcoming events are like a final battle, emphasising that there have been similar events beforehand.

Throughout all of this, there are more cuts and fades from scene to scene, introducing us to more characters and showing us more of the events within the film. This is another way to try and pull in consumers – they may see an actor or actress they particularly like, which may persuade them to see the film. Amongst these are a large variety of camera angles and shots, including mid-shots, long-shots, close-ups, and pans.


Although Resident Evil: Retribution is a horror film, the main genres seem to be action and sci-fi. This is shown throughout the trailer due to a number of different factors, such as the font used for the captions which may depict elements of the sci-fi genre, and some of the footage shown in the trailer itself which may depict elements of an action film – for example the last piece of footage we see is Alice throwing some kind of bladed weapon at Jill [Sienna Guillory], who dodges. A few seconds before this, we see that the film has used 3D technology, which may attract more potential consumers who enjoy films created with the use of this technology.

No comments:

Post a Comment